There’s a shimmer to Ana Luna, not just in her music, but in the way she tells stories through emotion. The Ukraine-born, Paris-raised, and now Los Angeles–based singer-songwriter has spent years quietly writing songs in between acting gigs, sketching out fragments of memory and feeling until they began to form a world of their own. That world now has a name: Tainted Silhouettes, her debut album, out November 7.
The nine-track record feels like a late-night drive through the mind, city lights outside, quiet chaos inside. Fans will recognize earlier singles like “Dance in a Trance,” “Daddy’s Empire,” “Can We Pretend We Just Met At A Bar?” and “Bleeding Pen,” but Tainted Silhouettes also unveils five new songs that push Ana’s sound into even more emotional territory. Dream pop, alt-rock, and moody ballads swirl together into something sultry and transcendent — a sonic diary for anyone who’s ever felt too much.
“Many of these songs weren’t written with a project in mind,” Ana explains. “They were simply me processing what I was feeling in real time. When it came time to produce the songs, I had one goal: to make them raw but cinematic — like your emotions had suddenly become something you could touch.”
And that’s exactly how the album feels: touchable emotion. From the haunting opening track “Fairy Tales” to the closing slow burn “Love Virgin,” every song blurs vulnerability and intensity until they become indistinguishable. It’s not sad-girl music — it’s self-discovery, scored like a film.
Ana doesn’t shy away from depth, either. “I’ve always been told I feel things too deeply, that I’m ‘too much,’” she says. “Instead of shrinking that part of myself, I leaned into it. These songs became my source of healing and understanding. They’re especially for the deep feelers — the ones who look inward, who want to understand, and who find themselves in the act of feeling.”
It’s that sense of honesty — paired with Ana’s celestial voice — that makes Tainted Silhouettes such an arrival. Every track sounds like it was born from a flicker of emotion, then stretched into widescreen. It’s music for heartbreak and rebirth, for those moments when you finally realize you’ve outgrown your old self.
Ana Luna may be a debut artist, but Tainted Silhouettes doesn’t sound like a beginning — it sounds like someone stepping fully into who they are.
Listen to Tainted Silhouettes drops November 7 on all streaming platforms.
Photography by Noah Hoffman
Written by Angel Joanne Okonkwo
Read more Music articles from KLATMAG
Wizkid and Asake deliver a highly anticipated EP that’s already dominating Spotify, pairing raw lyrics…
Alberta Cross kick off 2026 with Toy Soldiers, a raw, hypnotic single that turns uncertainty…
Arlo Parks announces Ambiguous Desire, a bold new album inspired by dancefloors, late nights, and…
The KLAT DJ Takeover is spotlighting six emerging DJs across Wales, breaking barriers, building confidence,…
From busking on Manchester streets to sold-out hometown shows, Alex reflects on growing up, finding…
Eddie Brett returns with Common Kalos, a deeply personal album shaped by sobriety, faith, and…