Sofy is ready to take centre stage with “WISHBONE,” and this time it feels different. There’s a shift not just in sound, but in how much of herself she’s willing to put on display. Like many artists before her, she’s had to sit with some deeply personal moments, and at a point where everything felt like too much, she leaned into it instead of pulling away. What came out of that is something noticeably darker, grittier, an edge to her that hasn’t been this exposed before.

She’s not holding anything back here. “WISHBONE” feels like Sofy at her most honest, even when it’s uncomfortable.

Over the past few years, she’s quietly built herself into one of the UK’s more intriguing names in indie pop. From landing on the FIFA 23 soundtrack to opening for Sabrina Carpenter at BST Hyde Park, and moving across festival stages nationwide, there’s been a steady rise. Her catalogue has pulled in millions of streams, but more importantly, it’s built a loyal fanbase self-named “rats” who follow her not just for the music, but for the world she’s created around it.

Projects like Another Day in Paradise, alongside EPs Chaos and Commotion and Bored on Colour (1 & 2), all hinted at her range. But this feels like a turning point. A new era, but one that doesn’t abandon what came before it just pushes it further.

So what exactly does “WISHBONE” sit in? It circles around ambition, but not in a clean or motivational way. It’s about the reality of chasing something that doesn’t necessarily give back. That constant reaching, the pressure, the expectations that come with wanting more. As Sofy puts it, it’s “about loving something that doesn’t love you back, chasing a carrot on a stick until it completely unravels you to the point of losing your head.” And you can feel that tension throughout the track.

The way the song opens is quite subtle. There’s a light electric guitar that comes in first, almost easy to miss if you’re not paying attention. It sets the tone without doing too much, sitting somewhere between soft and slightly restless. Then her voice comes in, and it starts to feel familiar in a different way. There’s a clear pop-rock influence running through it, leaning into that early 2000s sound, nostalgic way, but more like a reference point you recognise without needing to name.

As the track builds, the electric guitar begins to intensify. It’s gradual, almost quiet in how it layers itself underneath everything else. You can feel the shift happening before you fully register it. There’s tension there, like the song is holding something back.

The instruments drop into near silence, leaving just her voice. It’s stripped, exposed, you hear the emotion more clearly because nothing is competing with it. It feels deliberate, like a pause that forces you to actually sit with the lyrics instead of letting the production carry you through.

The drums come back in, and the guitars follow louder this time, heavier, less controlled. There’s a kind of chaos to it, but it never tips into being messy. It feels more like release, like everything that was building finally has somewhere to go. The sound expands, becomes fuller, slightly overwhelming, but still held together enough that it doesn’t lose itself.

That contrast that constant movement between restraint and release is what really carries the track. It doesn’t try to smooth itself out or resolve neatly. It just lets those shifts exist, and that’s what makes it land.

The release is paired with a visually striking video that leans fully into the darker themes of the song. Sofy steps into a more theatrical role, playing a serial killer moving through a haunted house setting. It’s eerie, slightly unsettling, but still playful in a way that makes it hard to look away. There’s a sense that she’s not just exploring darkness sonically, but visually too and she’s doing it without overthinking it.

As Sofy moves into this next phase, it’s clear she’s not trying to separate herself from her past work. Instead, she’s carrying all of it with her the emotion, the chaos, the honesty and letting it evolve.

And with upcoming live performances, including July 4th at Kasabian’s Finsbury Park show and August 1st at Valley Fest, this new direction won’t just stay on record. It’s something she’s clearly ready to bring into real time.

“WISHBONE” doesn’t feel like a reset. It feels like an unraveling and Sofy finally letting that happen.

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Listen to SOFY’s New Single, Wishbone

Written by Maria Jonah